Description

J M Dick Peddie, 1906-9. Two-storey and attic, symmetrical Beaux Arts school of art with mansard-roofed angle pavilions; later alterations and additions. Red sandstone ashlar. Ground floor channelled from cill height; dividing band between ground and first floors; Doric frieze with triglyphs and guttae; broad mutuled eaves cornice. Key-blocked windows to ground floor.

South (principal) elevation: mansard-roofed centre pavilion with oeil-de-boeuf windows in roof; pedimented tetrastyle Roman Doric portico; two-leaf timber panelled door with semicircular plate glass fanlight in heavily key-blocked round-arched opening; glazed inner door with fanlight. Eight-bay linking blocks, regularly fenestrated (outer left bay has large two-leaf door with glazed panel above). Corner pavilions: paired windows to each floor flanked by giant Roman Doric columns and corner pilasters; stepped blocking course above.

West elevation: corner pavilions: paired windows to each floor flanked by paired Doric pilasters (channelled pilaster strip to outer left). Single storey, five-bay balustraded linking block, regularly fenestrated (glazed door to outer left).

North elevation: segmentally-pedimented mansard-roofed central block. Six-bay linking blocks with large windows and rooflights to studios. Pedimented corner pavilions with paired windows to each floor flanked by channelled pilaster strips; key-blocked oeil-de-boeuf windows in pediments.

East elevation: mainly obscured by later additions.

Interior: coffered Doric-columned entrance hall leading to double-return stair with stone balustrade lit from lunette windows and octagonal cupola; paired Ionic columns and pilasters at first floor. Top-lit double-height (and double-cube) sculpture court: key-consoled arcade at ground floor supports first floor gallery with paired Ionic columns. Large-windowed studios on three floors to north.

Predominantly six-pane metal-framed windows. Green slates. Tall chimneystacks with triglyphed frieze and cornice.

Retaining Walls, Gatepiers and Railings: bull-faced squared and snecked red sandstone retaining walls with ashlar parapet. Tall red sandstone channelled ashlar gatepiers with mutuled cornice and ball finials; low flat-arched footgate with heavy key-console to left; EDINBURGH COLLEGE OF ART in metal letters above. Decorative cast iron gates and gateposts.

In accordance with Section 1 (4A) of the Planning (Listed Buildings and Conservation Areas) (Scotland) Act 1997 the following are excluded from the listing: former Architecture School Building.

Statement of Interest

In accordance with Section 1 (4A) of the Planning (Listed Buildings and Conservation Areas) (Scotland) Act 1997 the following are excluded from the listing: former Architecture School Building.

Built on the site of the Municipal Cattle Market, which was to be moved to a new site at Gorgie. The western section was built from June 1907, then, when the cattle market was vacated, the eastern part, completed in 1912. The view from Johnston Terrace and the Castle esplanade were considered important, and the high French roofs were intended to make a picturesque contribution to the city skyline.

The college was built around two rectangular courts. The western court (roofed over 1925) containing a glass pavilion for plein air painting, and a special passage for the entrance of horses and other animals. The eastern court, the double-height sculpture court, intended to house the collection of antique casts begun by the Board of Manufactures in 1797. Casts of the friezes from the Parthenon line the walls of the corridor. There were separate rooms for life-drawing classes for men and women, dressing apartments for models, and cloakrooms and kitchens in the basement.

Professor Rowan suggests that responsibility for the actual design of the building should be attributed to James Forbes Smith, with an input from George Washington Browne. The planning of the building (and its constitution) owes much to the sculptor, James Pittendrigh MacGillivray, who prepared a report on the state of art education in Scotland and in Europe and made a grandiose design for the building. The building benefited from a gift of £10,000 from Andrew Grant of Pitcorthie, MP for the Leith Burghs.

The College was built after Robert Morham's adjoining fire station (1897-1901, see LB30123). The red sandstone and green slates echoing the materials of the latter.

Statutory address updated in 2015. Previously listed as 'Lauriston Place, Edinburgh College of Art, including retaining wall, gatepiers and railings'.

Statutory address updated in 2020. Previously listed as 'University of Edinburgh, Edinburgh College of Art, Including Retaining Wall, Gatepiers and Railings, Excluding Architecture School Building and Hunter Building, Lauriston Place, Edinburgh'.

External Links

• Historic Environment Scotland Listing
• Edinburgh College of Art at Wikipedia
• Edinburgh College of Art official website
• Wikidata Q5338172

External links are from the relevant listing authority and, where applicable, Wikidata. Wikidata IDs may be related buildings as well as this specific building. If you want to add or update a link, you will need to do so by editing the Wikidata entry.

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